Saturday, June 05, 2010
Natural plant dyes workshop - rhubarb leaves
Erin talked about the process of dyeing, including using mordants, fixatives, and modifiers; plants that can be used (many that are available by wildharvesting, or easy to grow in our own gardens), and the many many variables in the dyeing process - everything from length in the dye bath, to quality of water used (rain water vs. tap water), to containers used for dyeing (aluminum pots, copper pots), quality and quantity of plants used, texture of the fibre, mordants, etc. She advised keeping records if you wish to come up with a similar dye a second time, or better yet, dyeing all materials for one project in one batch so the colour is mostly consistent. Here are the basic steps - the list looks quite involved, but really this is a simple process that just has many small steps. For our workshop we used 100% wool (starting with white colour), alum as our mordant, washing soda as our assist, and rhubarb leaves as our dye agent:
1) weigh the fibre in grams (e.g. wool, silk, linen, hemp, etc) - in our case it was 100% wool yarn
2) choose a mordant and measure out appropriate weight in grams (e.g. we used alum) - the weight of the wool divided by 12 = weight of alum
3) choose an assist and measure out in grams (e.g. we used washing soda/soda ash/sodium carbonate, which can be found in the laundry section of the grocery store) - the weight of the wool divided by 37 = weight of assist
4) record this recipe in a record book if you wish to get similar results next time
5) add mordant and assist to the pot of boiling water (we used a stainless steel pot, not copper as this acts as a mordant and will change the final colour)
6) add wool to the pot of boiling water
7) add dye agent to the pot of boiling water (we used rhubarb leaves, as many as we could fit into the pot - other dye agents could be measured out more accurately in grams - usually using 100-200% more weight than the fibre to get a strong enough intensity)
8) choose a modifier - optional - by adding a modifier you will again create variations in the dye colour (e.g. vinegar brings the shades into the red spectrum; washing soda brings the shades into the blue spectrum; iron darkens the shade)
9) vegetable fibres like linen, hemp or cotton have cellulose so need tannic acid to help break down fibres so colour will take (e.g. use black tea or oak leaves added to the dye bath)
10) choose a fixative like salt to help colour to last
11) let fibre steep in dye bath for desired length of time (overnight, or longer)
12) strain, cool, then rinse and hang dry or spin dry (in salad spinner, or laundry spin cycle for larger pieces)
Wednesday, June 02, 2010
Natural Plant Dyes - yellow onion skins & dahlia flowers create this gorgeous whirligig shrug
In case you want the pattern, it's from the magazine "Interweave Knits, Weekend 2009" and called "Whirligig Shrug" by Stefanie Japel. For Ravelry members, a direct link to the pattern is found here: http://www.ravelry.com/patterns/library/whirligig-shrug and her completed project is found here: http://www.ravelry.com/projects/baumzger/whirligig-shrug.
Here's a photo of Juanita's hand dyeing results, posted on flickr: http://www.flickr.com/photos/baumzger/4086033185/in/set-72157614020432972
Sunday, June 07, 2009
Plants, Roots & Fibres: Natural Fibre Arts & Herbal Workshop Day!










We had an amazing day here at Little City Farm yesterday, participating in the 2nd annual spOtlight Festival! Throughout the day we featured 6 workshops demonstrating natural fibres and herbal arts - natural dyes, spinning & carding, wet felting, herbal oils & salves, soap making, and papermaking - we wanted to teach a variety of simple, traditional processes that can be done at home using inexpensive materials. There was a nice flow to the day as each workshop touched on topics that had been mentioned in previous workshops (for example, after learning about various fibres and how to dye them, we could move on to how to spin the roving into yarn, or felt the roving into fabric objects).
Thanks to everyone who dropped by to participate - we had more than 50 attendees, including many new people we had not met before - an we only wish we could have accomodated everyone who wanted to register! As a result of larger numbers of interested public than we had expected, several of the workshops had to be demonstration rather than hands-on. Hopefully if we participate again next year we can make the workshops longer or offer them more than once so as to be a little more indepth and allow for more direct participation. At least we plan to be offering several of these workshops again later in the summer/fall/winter, so hopefully people who didn't get a chance to participate can join us then. These workshop dates will be posted on our website. Finally, we want to thank the Ontario Arts Council for the funding they provided in order to make all these workshops FREE to participants! A comment heard over and over again was how much this felt like a relaxed community gathering that was accessible and affordable for anyone to take part in.
Sunday, April 05, 2009
spOtlight Festival - Funding Received!
Our series is called "Plants, Roots & Fibres: Natural Fibre Arts and Herbal Crafts". We will be focussing on using plants, natural fibres and recycled materials in all the workshops throughout the day. The FREE event is Sat, June 6 from 10 am-5 pm, with hour-long workshops running all day. More details coming but here is the basic schedule for the day. We encourage pre-registration as there will be some limited space for workshops held indoors (some workshops will be outside).
10 am - Natural Dyes
11 am - Spinning, Carding and Natural Fibres
12 noon - Break (we encourage people to bring a picnic lunch to eat here if they wish to stay)
1 pm - Wet Felting
2 pm - Herbal Oils and Salves
3 pm - Natural Cold-Process Soapmaking
4 pm - Papermaking
We'll have a variety of artists/crafters here to lead these workshops, with some hands-on components for participants. It's going to be a full and exciting day - come check it out!
Monday, February 23, 2009
Natural dyes
From: www.pioneerthinking.com
Did you know that a great source for natural dyes can be found right in your own back yard! Roots, nuts and flowers are just a few common natural ways to get many colors. Yellow, orange, blue, red, green, brown and grey are available. Go ahead, experiment!
| Gathering plant material for dyeing: Blossoms should be in full bloom, berries ripe and nuts mature. Remember, never gather more than 2/3 of a stand of anything in the wild when gathering plant stuff for dying. To make the dye solution: Chop plant material into small pieces and place in a pot. Double the amount of water to plant material. Bring to a boil, then simmer for about an hour. Strain. Now you can add your fabric to be dyed. For a stronger shade, allow material to soak in the dye overnight. Getting the fabric ready for the dye bath: You will have to soak the fabric in a color fixative before the dye process. This will make the color set in the fabric. | |
Color Fixatives:
Salt Fixative (for berry dyes) 1/2 cup salt to 8 cups cold water
Plant Fixatives (for plant dyes) 4 parts cold water to 1 part vinegar
Add fabric to the fixative and simmer for an hour. Rinse the material and squeeze out excess. Rinse in cool water until water runs clear.
Dye Bath: Place wet fabric in dye bath. Simmer together until desired color is obtained. The color of the fabric will be lighter when its dry. Also note that all dyed fabric should be laundered in cold water and separately.
Muslin, silk, cotton and wool work best for natural dyes and the lighter the fabric in color, the better. White or pastel colors work the best.
NOTE: It's best to use an old large pot as your dye vessel. Wear rubber gloves to handle the fabric that has been dyed, the dye can stain your hands. It's also important to note, some plant dyes may be toxic, check with the Poison Control Center if unsure.
Oranges & Yellows:Bloodroot will give a good orange to reddish orange color.
Sassafras (leaves)
Onion skin
Lichen (gold)
Barberry (mahonia sp.) yellow orange (with alum) very strong & permanent. Any part of the plant will work.
Giant Coreopsis (Coreopsis gigantea) Yields bright permanent orange with alum.Oak bark will give a tan or oak color.
Browns:
Sumac (leaves)
Walnut (hulls) (deep brown)(wear gloves)
Tea Bags (light brown)
Juniper Berries
Coffee Grinds
Acorns (boiled)
Yellow dock (produces shades of brown on wool)
Reds:
Sumac (fruit) (light red)
Dandelion (root)
Beets (deep red)
Rose (hips)
Chokecherries
Madder
Hibiscus Flowers (dried)
Blue/Purple:
Red cabbage
Mulberries (royal purple)
Elderberries (lavender)
Grapes (purple)
Blueberries
Spinach (leaves)
Black-Eyed Susans
Grass (yellow green)
Nettle
Plantain Roots
Purple:
Daylilies (old blooms)
Yellow/Gold:
Red Clover (whole blossom, leaves and stem); alum mordant; Gold.
Yellow cone flower (whole flower head); chrome mordant; Brass to Greeney-Brass
Onion (skins)
Marigold (blossoms)
Willow (leaves)
Queen Anne's Lace
Burdock
Celery (leaves)
Golden Rod (flowers)
Sumac (bark)
Weld (bright yellow)
Dandelion flower

